20 CLEP American Literature practice questions, with answers and video walkthroughs
Twenty representative CLEP American Literature questions, each with the answer and a short explanation of why the wrong choices trap test-takers.
By Alex Stone6 min readLast fact-checked January 1970
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Twenty practice questions for CLEP American Literature, in the real exam's style. Score 16 of 20 here and you are in passing range. Miss more than four, and the pattern of your misses points straight at the topic to review next. Every question below is explained on video, including why the wrong answers trap most test-takers.
What students preparing for this exam tell us is that steady practice in the exam's format, with an explanation for every miss, is what moves a score. Use these the same way: answer, check, and read why the wrong choices are tempting. For the full plan around them, see the CLEP American Literature pillar guide.
Watch the full video walkthrough above, then test yourself on the twenty questions below. Each one is explained on the video, including why the wrong answers trap most test-takers.
Questions 1 to 5 (questions 1 to 5)
1. Which author wrote the short story "Bartleby, the Scrivener," about a clerk who answers every request with "I would prefer not to"? Herman Melville. Herman Melville wrote Bartleby, the Scrivener, a Wall Street tale of a copyist who quietly refuses to work. Its famous line, I would prefer not to, has become a byword for passive resistance.
2. The Puritan poet who wrote private devotional verse later collected as "Preparatory Meditations" and "Huswifery" was: Edward Taylor. Edward Taylor was a Puritan minister whose intensely metaphysical poems, including Huswifery, stayed unpublished for centuries. Anne Bradstreet, by contrast, was the first published poet of the colonies.
3. Washington Irving's "The Legend of Sleepy Hollow" and "Rip Van Winkle" are best described as early American examples of the: Short Story. Washington Irving helped invent the American short story with these tales from The Sketch Book. Rip Van Winkle sleeps through the Revolution, and the Headless Horseman haunts Sleepy Hollow.
4. The essay "Self-Reliance," urging readers to trust their own intuition over conformity, was written by which leading Transcendentalist? Ralph Waldo Emerson. Ralph Waldo Emerson wrote Self-Reliance, the central statement of Transcendentalism. Its call to trust the self, Trust thyself, shaped American individualism. Thoreau was his friend and follower at Walden.
5. Hester Prynne, forced to wear a scarlet letter A as punishment in Puritan Boston, is the heroine of a novel by: Nathaniel Hawthorne. Nathaniel Hawthorne wrote The Scarlet Letter, set in Puritan Boston. Hester Prynne wears the embroidered A for adultery, while the minister Arthur Dimmesdale hides his own guilt.
Questions 6 to 10 (questions 6 to 10)
6. The poet who wrote "Leaves of Grass" and "Song of Myself" in sprawling free verse, celebrating democracy and the common person, was: Walt Whitman. Walt Whitman wrote Leaves of Grass, expanding it across his lifetime. Song of Myself, in unrhymed free verse, sings of democracy and the self: I celebrate myself, and sing myself.
7. The reclusive Amherst poet known for short, slant-rhymed poems such as "Because I could not stop for Death" was: Emily Dickinson. Emily Dickinson lived largely in seclusion in Amherst, Massachusetts, and published almost nothing in her lifetime. Her compressed poems, with dashes and slant rhyme, were found after her death.
8. Edgar Allan Poe's poem "The Raven" is most famous for its repeated refrain: "quoth the Raven, Nevermore". In The Raven, the ominous bird answers every question with a single word, Nevermore. The line Quoth the Raven, Nevermore tolls through the poem as the speaker mourns his lost Lenore.
9. The poem "The Road Not Taken," which ends by claiming a choice "made all the difference," was written by which New England poet? Robert Frost. Robert Frost wrote The Road Not Taken, set among the woods of rural New England. The speaker takes the road less traveled by, and that, he says, has made all the difference.
10. Langston Hughes, author of "The Negro Speaks of Rivers" and a leading literary voice of the 1920s, is most closely associated with which movement? The Harlem Renaissance. Langston Hughes was a central poet of the Harlem Renaissance, the flowering of African American art in 1920s Harlem. His jazz-inflected verse gave voice to Black American life and history.
Questions 11 to 15 (questions 11 to 15)
11. Mark Twain's novel narrated by a runaway boy who rafts down the Mississippi River with an escaped enslaved man named Jim is: Adventures of Huckleberry Finn. Adventures of Huckleberry Finn follows Huck and Jim down the Mississippi on a raft. Twain's use of everyday American speech and its moral reckoning with slavery made it a landmark novel.
12. F. Scott Fitzgerald's "The Great Gatsby," with its narrator Nick Carraway and the mysterious Jay Gatsby, is set during which decade? The 1920s. The Great Gatsby is set in the Jazz Age of the 1920s, on Long Island. Jay Gatsby throws lavish parties while reaching for Daisy and the green light, a story of the American Dream's hollow glitter.
13. The 1852 antislavery novel by Harriet Beecher Stowe that fueled abolitionist sentiment before the Civil War was: Uncle Tom's Cabin. Harriet Beecher Stowe's Uncle Tom's Cabin dramatized the cruelty of slavery for a mass readership. It became a bestseller and a powerful antislavery force in the years before the Civil War.
14. Arthur Miller's play "Death of a Salesman," centered on the failing salesman Willy Loman, is best described as a: Modern Tragedy of the Common Man. Death of a Salesman is a modern tragedy about Willy Loman, an aging salesman crushed by his own illusions of success. Miller argued the common man could be as tragic as any king.
15. The novel "Their Eyes Were Watching God," following Janie Crawford's search for love and selfhood in Florida, was written by: Zora Neale Hurston. Zora Neale Hurston wrote Their Eyes Were Watching God, tracing Janie Crawford's journey to independence in rural Florida. Hurston drew on her training in folklore and the rhythms of Black Southern speech.
Questions 16 to 20 (questions 16 to 20)
16. The American literary movement of the early to mid 1800s that emphasized intuition, nature, and the individual soul, led by Emerson and Thoreau, was: Transcendentalism. Transcendentalism held that truth is found through intuition and nature rather than established institutions. Emerson's essays and Thoreau's Walden are its defining works.
17. In "Moby-Dick," the white whale that Captain Ahab pursues with destructive obsession is best read as a: Symbol of an Unknowable, Unconquerable Force. In Moby-Dick the white whale works as a symbol, an emblem of a vast, unknowable power that Ahab cannot master. His monomaniacal hunt for it drives the Pequod to destruction.
18. The post-Civil-War literary movement that aimed to depict ordinary life and everyday speech accurately, exemplified by Mark Twain and William Dean Howells, is called: Realism. Realism, rising after the Civil War, sought to portray ordinary people and common speech truthfully, rejecting Romantic idealization. Twain and Howells were among its leading American practitioners.
19. The Beat Generation novel "On the Road," a restless cross-country chronicle of postwar youth, was written by: Salinger. Jack Kerouac wrote On the Road, the defining Beat Generation novel. Its breathless, spontaneous prose follows young drifters crisscrossing America in search of experience and freedom.
20. Ernest Hemingway's lean, understated prose style, built from short declarative sentences and deliberate omission, is often called his: Iceberg Theory. Hemingway's iceberg theory held that the deeper meaning of a story should stay below the surface, like the bulk of an iceberg. His spare, plain sentences leave the emotion implied rather than stated.
What to do with your score
The point of twenty questions is not the twenty, it is the pattern. Mark which topic each miss came from, then spend your next session on that topic alone. None of it requires starting over, only tightening the spots that cost you points.
A single twenty-question set is a snapshot, not a study plan. To pass with margin you need volume: enough questions, in the exam's format, with explanations that turn a wrong answer into a correction. That is what Flying Prep's CLEP American Literature practice is built for: every question explained, with a free trial before you decide.
Frequently asked questions
How many of these 20 do I need to get right to be on track?
About 16. A passing score works out to roughly 80 percent, so clearing 16 of 20 consistently across a few sets puts you in passing range.
Are these the same questions that appear on the real exam?
No. These are representative practice questions in the exam's style. The real exam draws from a much larger pool, which is why practice volume, not memorizing any single set, is what moves your score.
Where do I get more questions like these?
The Flying Prep CLEP American Literature question bank has every question explained and reviewed against the current outline. Start a free trial and drill the topics your misses point to.

Alex Stone founded Flying Prep after earning her bachelor's degree from Thomas Edison State University using 27 CLEP and DSST exams to test out of 99 credits. She built Flying Prep to help working adults and returning students take the same path.
See the full CLEP American Literature study guide for the practice quiz, study plan, and credit details.